Substack disillusionment

Creative Boom’s Katy Cowan on resisting Substack and disillusionment with the social web in general:

I’ve seen what happens when you rely on these spaces. Twitter, once a joyful community, became a hotbed of extremism. Meta, with its ever-changing rules, squeezed engagement unless you paid up. Instagram? The endless algorithm updates feel like PTSD triggers. LinkedIn, the last beacon of hope, is heading the same way. I’ve had enough.

I want to own my platforms. My website, newsletter, podcast, magazine, and now a private community—spaces where I call the shots. No world-domination-mad freaks deciding my fate. No sudden algorithm changes tanking my reach. I’m the boss, no one else.

Reading

Some recent reading: Michael Cragg’s Reach for the Stars and Miranda Sawyer’s Uncommon People are fantastic explorations of British pop from the nineties and noughties, the last hurrah of pre-streaming music. Wonderful nostalgia for anyone raised on Smash Hits and Select. Bouncing back and forth between 1890s architecture and gripping, horrible true crime, Erik Larson’s The Devil in the White City may be my dream book. And having now fallen in love with two adaptations, I’ve finally sunk my teeth into Patricia Highsmith’s The Talented Mr Ripley, and it does not disappoint.

The Neighborhoods

Rob Stephenson is photographing every neighbourhood of New York “in an effort to create some sort of photographic document of modern-day New York, or at least a record of what I find interesting on any particular day”. Alongside the weekly newslettered pictures, he includes lots of interesting historical facts about each ‘hood and basically the whole thing is VERY up my street.

Overinvolved

The Folio Society have continued their Dune series with a new edition of Children of Dune, illustrated by Hilary Clarcq. At some point I’m going to get all three of these books and make a little sandy shrine to them. Oh and that reminds me, this detail from Frank Herbert’s wiki page:

The novel originated when he was assigned to write a magazine article about sand dunes in the Oregon Dunes near Florence, Oregon. He got overinvolved and ended up with far more raw material than needed for an article. The article was never written, but it planted the seed that led to Dune.

Overinvolved.

Raúl Cañibano

“My intent was to document a way of life that could fade as the years pass and the changes that are taking place as society develops. What I wished to accomplish was to capture the nobility, familiarity, and kindness of the Cuban farmer.” There’s a striking cinematic boldness to Raúl Cañibano’s work – not to mention a whole load of delicious grain that you can almost taste. The Photographers’ Gallery has a collection of his shots available as prints and I need them all.

Madness

A big thank you to The Casual Optimist (aka Dan Wagstaff) for including my cover for Antonia Hylton’s Madness in Notable Book Covers of 2024. I always look forward to this list – Dan has an amazing eye for what’s going on in the field – so it means a lot to find myself on there.

Don Hertzfeldt

Animauteur Don Hertzfeldt on using Photoshop:… from this excellent Slate interview:

You don’t know what you’re not allowed to do. I still don’t know, but I’ve felt better about myself because I have spoken to people who are in technical positions in cinema who are like, “Yeah, I don’t know what half this stuff does either.” I think it’s a sign of good software where you don’t need to. A sign of good software to me is it’s intuitive, and you can put your things in, and hopefully behave like an artist and make a mess and not break things. The downside is when you realize there’s something you could have done easier a long time ago.

That last line, that is me, that is so painfully me.

Samples

The Most Iconic Electronic Music Sample of Every Year (1990-2023). Some of my favourite artists in here, had no idea a lot of those beeps and boops were even samples! Got me listening to The Prodigy’s The Fat of the Land for the first time in ages, and frankly I’d be amazed if they made any money off that album at all – contains presumably rather expensive samples of Nirvana, Rage Against the Machine, The Who, Beastie Boys, Kool and the Gang, all sorts.

Heretic

Director Bryan Woods on putting a “no generative AI was used in the making of this film” statement at the end of Heretic:

We are in a time where I feel like creatively we’re in one of the big ethical battles, and the race is already ahead of us. The importance is to have these conversations before they force things in, just because it makes sense from a corporate structure. It’s incredibly dangerous. If there’s not people to throttle it, we’re going to find ourselves in five to ten years in a very dangerous situation. … AI is an amazing technology. Beautiful things will come of it, and it’s jaw-dropping. What is being created with generative AI and video … it’s amazing we could create that technology. Now let’s bury it underground with nuclear warheads, ‘cause it might kill us all.

Could this become standard practice please? To be posted alongside the “no animals were harmed” and “no this story isn’t real, honest” notices.

Bluesky

It’s been quite a week for Bluesky. More of a stampede than a migration, the general vibe there right now is optimistic and troll-intolerant. It’s great to see actual humans at the core of it, rather than fascism or advertising – it’s absurd that chronological, non-algorithmic conversations should feel like such a novelty! That said, I’m trying to maintain a modicum of caution about it all. It remains to be seen how long this honeymoon period will last, and surely it’s only a matter of time before the awful people start to infect the place with their awful ways.

One thing they absolutely must introduce is some form of verification process. Yes, you can change your handle to your domain name (as I have) but this is very far from perfect – not everyone has a domain to connect to, and it’s all too easy to set up a domain that looks like it could be somebody’s official site. To get a bit more understanding of why and how the Bluesky thing is happening, and where it sits in the context of other X-alternatives, check out these posts by Ian Dunt and 404’s Jason Koebler

Threads, meanwhile, is … I mean it’s fine I guess. Certainly better than X, but it’s so infuriating that even though the core platform is great, Meta just can’t get out of their own way and they insist on throwing the timeline into a blender, which just means everyone is scrambling for engagement. I’m just using it as a scrapbook now, flinging up nice things that inspire me and maybe others.

Thought Bubble

We’ve just returned from Thought Bubble in Harrogate, always one of the most joyful weekends of the year. It’s not one of those “Funkos as far as the eye can see” comic conventions, this is one with actual comics and actual creators. Hundreds of them. There’s just this incredible atmosphere of inclusion and inspiration, I love it. Emma Rios, Will Dennis and Jock did a great panel on the art of cover design, and my boy had a whale of a time in Neill Cameron's Phoenix workshop.

But by far the highlight of the whole thing for me was getting to meet Simon Furman. Simon Furman. And he was lovely. If you ever get to meet and thank the person who made you read as a child, it’s quite overwhelming I can tell you.

Bluesky

It’s been quite a week for Bluesky. More of a stampede than a migration, the general vibe there right now is optimistic and troll-intolerant. It’s great to see actual humans at the core of it, rather than fascism or advertising – it’s absurd that chronological, non-algorithmic conversations should feel like such a novelty!

That said, I’m trying to maintain a modicum of caution about it all. It remains to be seen how long this honeymoon period will last, and surely it’s only a matter of time before the awful people start to infect the place with their awful ways. One thing they absolutely must introduce is some form of verification process. Yes, you can change your handle to your domain name (as I have) but this is very far from perfect – not everyone has a domain to connect to, and it’s all too easy to set up a domain that looks like it could be somebody’s official site.

To get a bit more understanding of why and how the Bluesky thing is happening, and where it sits in the context of other X-alternatives, check out these posts by Ian Dunt and 404’s Jason Koebler.

Hyperblogging

“Links are the whole goddamned point of the web!” – I finally signed up for kottke.org membership (and not just because I get sort of mentioned in this post). Good old-fashioned blogging-and-hyperlinking; sites like Jason’s are absolutely essential to maintaining some humanity on this big old web.

Erin Kissane on going offline and into the dark forest

Fantastic talk by Erin Kissane from last summer’s XOXO Festival (via Kottke), in which she talks about going offline, her time with the Covid Tracking Project and how we need to to fix the social internet:

A lot of us remember what it was like to live and work on an internet that was  deeply flawed but not systematically designed to burn our emotions, time, and safety for fuel. Whether we’re network builders, designers, writers, or video game makers—the  people who make networks better just by their presence—we all have a role in making or  enriching networks that are genuinely better for all of us. There is a real crack in the  foundations of the current order right now, and I genuinely believe that if we each  brought our weird talents and gifts to bear on this problem and treated the problem  of making better networks like our problem—not something we’re just hoping someone else will  figure out—we would have this in the bag.

She mentions the Dark Forest theory of the web, a metaphor I was unfamiliar with but has helped illustrate/crystallise a lot of my thoughts on the web (as exhausted digital immigrant and terrified parent). Maggie Appleton gives a pretty succinct overview:

The dark forest theory of the web points to the increasingly life-like but life-less state of being online. Most open and publicly available spaces on the web are overrun with bots, advertisers, trolls, data scrapers, clickbait, keyword-stuffing “content creators,” and algorithmically manipulated junk. It's like a dark forest that seems eerily devoid of human life – all the living creatures are hidden beneath the ground or up in trees. If they reveal themselves, they risk being attacked by automated predators. Humans who want to engage in informal, unoptimised, personal interactions have to hide in closed spaces like invite-only Slack channels, Discord groups, email newsletters, small-scale blogs, and digital gardens. Or make themselves illegible and algorithmically incoherent in public venues.

Written two years ago, she goes on to say how the forest is going to get so much darker and more dangerous thanks to the relentless infection of Ai, and oh boy was she on the money. Once reliable cornerstones of the web are falling away – as well as Google thrashing around in the snake oil and churning out ridiculous non-results to search queries, Wikipedia is now fighting a battle against an onslaught of “unsourced, poorly-written, Ai-generated content”.

I’m reminded of that Ryan Britt post about how most citizens of the Star Wars galaxy are probably illiterate – he suggests that they’ve come to rely on technology (i.e. droids) to such a degree that they no longer need to read or write anything beyond basic pictograms¹. But maybe it was more than that; maybe the written word could no longer be trusted, so they simply abandoned it and resorted/reverted to folklore. Is that where we’re headed? Everything will become a rumour or a whisper or simply fade away.

Erich Hartmann

Scrolling through Erich Hartmann’s work on Magnum’s site, this shot from 1984 stopped me in my tracks. Simply titled Pair of shoes on deck, Caribbean, it’s both wonderfully calm and really damn harrowing. There’s so little detail, nothing to imply what may lie beyond the boundaries on the frame – where are they, where have they gone – so the mood is entirely down to whatever the reader brings to it, like some kind of Rorschach test.

The Wild Robot

The Wild Robot director Chris Sanders in this month’s Sight and Sound

All of our surfaces, our skies, our trees are painted by human beings. There’s no geometry covered by rubber-stamping. With hand-painted backgrounds like these, we’ve come full circle to where this whole craft began. Miyazaki’s backgrounds, Bambi’s backgrounds, The Lion King’s backgrounds: they do the best job of creating a world that you can get. Our goal was to get the finished film looking as close to the initial exploratory development drawings as we could get: so abstract and colourful, loose and free and beautiful, and they reminded me a lot of some of the inspirational art by Tyrus Wong that guided Bambi.

The Wild Robot, The Spider-Verse films, Klaus, Puss in Boots: The Last Wish, The Mitchells Vs The Machines, Teenage Mutant Ninja Turtle: Mutant Mayhem – do we have a name for this new era of painterly animation? New Artistry? Craftcore? Help me out here.

Ted Chiang on Ai

Ted Chiang on why Ai isn’t going to make great art, for The New Yorker:

As the linguist Emily M. Bender has noted, teachers don’t ask students to write essays because the world needs more student essays. The point of writing essays is to strengthen students’ critical-thinking skills; in the same way that lifting weights is useful no matter what sport an athlete plays, writing essays develops skills necessary for whatever job a college student will eventually get. Using ChatGPT to complete assignments is like bringing a forklift into the weight room; you will never improve your cognitive fitness that way.